ECO/COM/SYS. nr. 11 - “THE KEY“ - 2004-2005

60 JAHRE ZU 2 WW KRIESENDE....60 YEARS TO END OF 2WW...60 ANS A LA FIN DE LA 2 GUERRE MONDIALE ... D-DAY is my B-DAY & „THE SIXTIES GIRLS...“

 

 


 

„REPRESENTATIVE-ART“ VERSUS „AVANTGARDE-ART“

R.A. ON ALL ITS VARIETY OF STYLES (CONCEPT, BODY ART, INSTALLATION ART, FEMINIST ART, ETC.) FUNCTIONS WITHIN THE REALM OF ART-MARKET; THAT IS GALLERY CAPITAL MUSEUM INTERCONNECTED IN CAPI TAL CYCLE ; THAT MEANS, THAT A STYLE IS SHOWN WHEN WELL DIGESTED & WELL ESTABLISHED IN THE M.A. ORDER; (THAT DOESN'T MEAN THAT THE FATHERS & MOTHERS OF SUCH STYLES ARE THUS HONORED) WHILE THE AVANTGARDE REVOLUTIONARY & EVOLUTIONARY ART IS CONSTANTLY GROWING; IT CANNOT BE CAPTURED AS A COMMODITY BY ART-MARKET & THUS REMAINS UNSEEN & UNKNOWN TO PUBLIC: THIS SPECIFIC ART IS CHALLENGING THE „BAROQUENESS“ OF PRE-PAID ART ORDERED BY MUSEUMS IN ADVANCE, WHICH WE CALL REPRESENTATIVE ART & ARE NOTHING LESS THAN BLOWN-UPS OF AUTHENTIC PREVIOUS ART MOVEMENTS (THE 60'S, 70'S.) & A TECHNICAL KNOW-HOW OF ORIGINAL WORKS SUCH AS INSTALLATIONS, WHICH LOOK MORE LIKE A FURNITURE DISPAY; CONCEPTUAL ART LIKE PROPAGANDA-ART & FEMINIST-ART LIKE FASHION OR PORNOGRAPHY! THE UNSEEN, NON-R.A. EXPLORES THE AUTHENTIC RELATIONS BETWEEN ART, SCIENCE & HUMAN CONSCIENCENESS (SCIENCE OF HUMANITIES) CREATING A BODY OF WORK (WE ARE SPECIFICALLY DISCUSSING THE ECO/COM/SYS. STANDARTS) INCORPORATING ALL THOSE MATTERS INTEGRATED AS A UNITY OF DIVERSITIES & VARIETY OF MATTERS, DEPENDING ON SUBJECT MATTERS. THE UNITY OF VARIETIES, WHEN ACTIVATED CREATE THE ONENESS OF DIVERSITIES, NOT LIKE THE R.A., WHICH IS THE ABSOLUTE-UNIQUE MESSAGE & THE TWIN BROTHER OF TOTALITARISM & FASCISM. EVEN IF ITS MESSAGE MIGHT REPRESENT A LIBERAL CORRECTEDNESS, IT CARRIES IN ITSELF THE SEED OF DESASTER; CONTRARY TO PRE-PAID R.A. ( THE IDOL OF ART INSTITUTIONS; MUSEUMS; ETC.,) OUR WORK INCLUDES MANY STAGES OF EXISTENCE, WHICH IN ITS LAST STAGE THE NON-R.A. CONVEYS THE LEARNED MESSAGE WHICH SERVES AS A LESSON FOR SOCIAL CHANGE, EMERGING FROM THE „SPLENDOR“ OF AN ACTIVATED BODY OF ART WORK. THE MESSAGE CAN BE SHOWN IN ART INSTITUTIONS ( WHILE THE WORK ITSELF REMAINS IN THE ARTIST'S REALM.... AS IN MUSEUMS' EYES THE ARTIST REMAINS VALUELESS...) WHEN ART CHANGES FUNCTIONS AS IN OUR CASE & THE ABSTRACTION OF IMAGERY IS THE MESSAGE*, THE FUNCTION OF ART SHOULD BE REEVALUATED, AS WELL AS STATUS OF ARTIST, WHICH UNDER THOSE CIRCUMSTANCES SHOULD BE IDENTICAL TO A SCIENTIST'S WORK IN RESEARCH.

 

•  ABSTRACTIONS & MESSAGES ARE A SYNTHESIS OF THE VARIETY OF PRESENTATIONS EMERGING FROM ONE BODY OF WORK.

WOMEN & WORK

WOMEN'S RELATION TO WORK IS SECONDARY TO FAMILY LIFE, WHILE MEN GIVE WORK FIRST PRIORITY, CONSIDERING HOME A WOMAN'S TERITORY; THEREFORE INFERIOR. WOMAN SELF-EVALUATION IS AS PERCEIVED BY MEN, THEREFORE WHEN OTHER WOMEN WILL CONTRIBUTE TO HER WORK, SHE WON'T ACKNOWLEDGE IT. (1)

MARCH 8-DAY

THE INTERNATIONAL WOMEN'S DAY HAS DETERIORATED INTO A GENERAL WOMEN'S DAY,THAT BESIDES VALUABLE DEMONSTRATIONS IN FAVOR OF WOMEN'S STRUGGLES AROUND THE GLOBE, AGAINST EXPLOITATION IN WORK, SEXUAL OPPRESSION, PROSTITUTION, ETC., THIS DAY HAS BECOME ANOTHER PROMOTION -DAY FOR FASHION & BEAUTY PRODUCTS, PERPETUATING THE ESTHETIC TERRORISM IMPOSED ON WOMEN VIA ALL GLAMOUR MAGAZINS. 8 MARCH SHOULD BE THE DAY WHICH CELEBRATE THE HIDDEN FACES OF GREAT FEMINIST ARTISTS, WRITERS, SCIENTISTS WHO HAVE LABORED TO ELEVATE THE ROLE OF WOMEN IN SOCIETY FROM THE „SLAVE OF THE WORLD“ AS JOHN LENNON HAS WRITTEN IN A SONG, TO AN EQUAL CONTRIBUTOR TO HUMANITIES.

MUSEUMS

(AGAIN); HAVE GROWN AS MUSHROOMS AFTER THE RAIN, EACH ONE GREATER THAN THE OTHER, DISPLAYING EXCLUSIVE ARCHITECTURAL CAPACITIES. IRONICALLY, THE MORE MUSEUMS; THE LESS THERE IS ART. AS A MATTER OF FACT, ART HAS NEVER BEEN AS LOW IN CAPACITY & ESTEEM, WHEREAS FILMMAKERS & ARCHITECTS (!) ARE BEEN EXHIBITED WIDELY.

AS M.A. ART & ARTISTS ARE THE ESSENCE & NOT THE BUILDINGS..REPRESENTING .AN ART WHOSE FUNCTIONS SHOULD NOT BE DETATCHED, BUT COMMITTED TO SOCIETY & ACT AS A THREAD UNITING SEPARATED HUMAN FACULTIES, SUCH AS ARCHITECTURE, URBANOLOGY, MEDICINE, PHYSICS, ETC., UNDER ONE UMBRELA ACTING AS A JUDGE FOR HUMAN & GLOBAL RIGHT & JUSTICE.*

•  IT IS NOT MEANT AN ART IN SERVICE OF THE STATE, WHICH AS IN DICTATORSHIPS, SUCH AS UNDER STALIN OR HITLER, ART HAS BEEN ABUSED FOR THEIR OWN SERVICES.

NAPOLOEON & FRENCH REVOLUTION

NAPOLEON SAW HOW THE REVOLUTION HAS TURNED INTO ANARCHY & DECIDED THAT HE IS GOING TO CHANGE THE COURSE OF TIME FROM A DESTRUCTIVE ERA INTO A CONSTRUCTIVE ONE, FROM ANARCHY INTO A REPUBLICAN CONSTITUTION; INCORPORATING EMPIRIC LAWS FOR JUSTICE & ORDER. HE MANAGED TO FREE POPLE & RELIGIONS, LAUNCHED MASSIVE WARS TO EXECUTE HIS ORDERS & WITH TIME HIS „EMPIRE“ SANK INTO THE SAME CALAMITY FROM WHICH HE TRIED TO DELIVER THE PEOPLE. HOWEVER, HIS LAWS ARE STILL RELEVANT TO-DAY.

WOMEN & REVOLUTION

THE 60'S & 70'S SAW THE WOMEN'S REVOLTS AROUND THE WORLD (WESTERN), A REVOLT THAT HAS SHAKEN THE ESTABLISHED ORDER OF WOMEN & SOCIETY FOREVER ATTITUDES TOWARDS WOMEN HAVE CHANGED; HOWEVER, SOCIAL ORDER REMAINED BASICALLY ARCHAIC & PATRIARCHAL. WOMEN THEMSELVES HAVE NO FRAMEWORKS UNDER WHICH TO FUNCTION AMONG EACH OTHERS. (2)

 

•  & 2 ) ECS HAS COMBINED ART & LIFE, ELEVATING BOTH TO EGALITARIAN VALUES, SO THAT WOMEN'S CONTRIBUTION IN WORK WILL BE ACKNOWLEDGED.

•  ECS HAS EMERGED AS A UTOPIAN LEGISLATOR WITH ETHICAL CODES OF BEHAVIOR FOR WOMEN'S SOCAL JUSTICE. SEE CONCLUSION-DATA OF VARIOUS ECS*: *ECO/COM/SYS.

 

A „SHERIDAN ART PROJECT“ REPRESENTED BY  WWW.MSAMUSEUM.COM   APRIL, 2005, KOELN

ECO/COM/SYS. nr. 12

2004-05, T H E K E Y

 

L I B E R A T I O N

 

A SHERIDAN ART PROJECT

THE BIRTH-VETERAN - PAULA

was activated in APRIL, MAY, 05

contact & info.:

sharonmiriam@mail.com

WWW.MSAMUSEUM.COM

ECO/COM/SYS. Nr. 11 - THE KEY - 2004-05

IN HIS LAST TRIP TO SPACE THE ASTRONAUTE ILAN RAMON HAS RESEARCHED THE MAGNETIC FIELDS ON EARTH AS SEEN FROM SPACE & PHOTOGRAPHED THUNDER & LIGHTENING HAPPENING ON ONE SPOT OF EARTH & EMERGING SEVERAL SECONDS LATER ON ANOTHER SIDE OF GLOBE, AS ONE CONNECTED LINE, SEEN FROM BIRDS EYE AS AN INTERCONNECTED THREAD. THIS IS A METAPHOR SUITABLE TO ECS & ITS ACTIVATION-SYSTEM. ECS'S ORIGINAL WORK REMAINS OUT OF THE SPECTATOR'S VIEW – THAT MEANS THAT THE WORK'S PURPOSE IS NOT FOR VIEWING PURPOSES, AS IT IS NOT DEMONTRATIVE, BUT CONTEMPLATIVE; WHILE WHEN ACTIVATED*, FUNCTIONS AS A MAGNETIC FIELD, BEING DIFUSED IN CHANNELS, LIKE FLOWS OF CONSCIENCENESS; SPREAD FROM ONE SPOT TO ANOTHER COMMUNICATING THE MESSAGE.

*ACTIVATION PROCESS IS THE LAST STEP OF ECS & ACTS AS A SYNTHESIS OF ALL ENTITIES(OR CHAPTERS), DECONSTRUCTED, WHICH BUILD THE BODY OF WORK & ACTS AS CATALISOR OF ABTRACT IMAGERY & MESSAGES, CALLED RESOLUTION-DATA; EQUIVALENT TO COMPUTER-DATA, EXCEPT THAT ECS MESSAGES HAVE ALL BEEN CREATED MANUALLY & THEIR „AIRING“ ARE A METAPHOR, FOR COMMUNICATION.

THE LEARNED LESSON OF GIVEN INFORMATION IS THE MESSAGE BROUGHT TO THE VIEWER FOR PERCEPTION & APPRECIATION; EVENTUALLY, THEY SHOULD BE SEEN IN PUBLIC INSTITUTIONS; INCLUDING MUSEUMS.

 

A SHERIDAN ART PROJECT, APRIL, 05; KOLN

FOR INFO.: sharonmiriam@mail.com

WWW.MSAMUSEUM.COM